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The Delighted States: A Book of Novels, Romances, & Their Unknown Translators, Containing Ten Languages, Set on Four Continents, & Accompan
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Having slept with a prostitute in Egypt, a young French novelist named Gustave Flaubert at last abandons sentimentality and begins to write. He influences the obscure French writer Édouard Dujardin, who is read by James Joyce on the train to Trieste, where he will teach English to the Italian novelist Italo Svevo. Back in Paris, Joyce asks Svevo to deliver a suitcase containing notes for Ulysses, a novel that will be viscerated by the expat Gertrude Stein, whose first published story is based on one by Flaubert. This carousel of influence shows how translation and emigration lead to a new and true history of the novel. We devour novels in translation while believing that style does not translate. But the history of the novel is the history of style. The Delighted States attempts to solve this conundrum while mapping an imaginary country, a country of readers: the Delighted States. This book is a provocation, a box of tricks, a bedside travel book; it is also a work of startling intelligence and originality from one of our finest young writers.
From Publishers Weekly
Starred Review. In his labyrinthine and surprisingly engrossing epic of literary influence and translation, Thirlwell (Politics) provides an idiosyncratic perspective on a wide range of authors and books, from Don Quixote to Dancing Lessons for the Advanced in Age by Bohumil Hrabal. A leading young British novelist, Thirlwell creates narrative enthusiasm and vividly drawn characters in a welcome departure from the academic approach to this kind of project. His technique is generally conversational rather than thesis driven, and his dips into notoriously tricky works like Ulysses and Tristram Shandy are characterized by impressively observed but plainly written close readings in the vein of the popular literary scholar Harold Bloom. One of Thirlwell's basic conceits is that style is inherently translatable, "even if its translation is not perfect," and he argues this earnestly and convincingly across eras and borders. Some of Thirlwell's arguments will undoubtedly cause debate among critics and readers, such as his defense of Constance Garnett, the original English translator of War and Peace, whose work has been criticized and possibly superseded by recent high-profile translators. However, Thirwell writes more as a reader than as an academic, and his passionate explications of writers from Flaubert to Nabokov is an absolute pleasure. Photos. (Apr. 22)
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From The New Yorker
Ostensibly devoted to the problem of literary translation, this provocative treatise rambles through the Western canon from Cervantes to Bellow, treating novelists less as subjects than as characters in a sprawling intercontinental epic. Thirlwell revels in the anecdotal (Italo Svevo studied English with James Joyce) and the serendipitous (the French word dada was invented as an equivalent for "hobby-horse," in " Tristram Shandy"); presents indexes whose entries include "hamburgers" and "squiggles"; and lauds digression as the best means of capturing the "serious nothings" of life. While acknowledging the difficulty of conveying the "perpetual giggle" of Akaky Akakievich Bashmachkin’s name in any language other than Gogol’s Russian, Thirlwell insists that translation is possible and, to that end, offers his own version of Nabokov’s "Mademoiselle O," evoking the story’s trilingual origins in fittingly verdant prose.
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Review
Praise for Politics: "One of the funniest, most stylish, and utterly original debuts to hit the stands in recent years . . . There is nothing quite like [it] in contemporary English writing." --The Times (London)
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The Spanish Cockpit: An Eyewitness Account of the Spanish Civil WarBy Franz Borkenau
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"...not only a model of what the study of revolution should be, but one of the best books ever published on Spain."--Gerald Brenan. "Borkenau went to see the Spanish Civil War with his own eyes and consulted nobody but his own integrity when he wrote what he saw."--Dame Rebecca West.
About the Author
Franz Borkenau (1900 - 1957) was born and grew up in Vienna. In Germany after WW I he became involved in the Communist Party, but broke with them with the advent of Stalinism, emigrating to France and then England on Hitler's rise to power. He returned to Germany after WWII and taught history, then moved into journalism. He was primarily interested in the development of Communism and the origins of Western culture.
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